What the Critics are saying:

“The Queen's Company's Taming is anything but tame”
  Phoebe Hoban, The New York Times on
  The Taming of The Shrew
  see full review
  see article

“Never did we have a raunchier or more spirited production of The Taming of the Shrew...this is a remarkable interpretation of Shakespeare's timeless comedy.”
  Irene Backalenick, Backstage on
  The Taming of The Shrew
  see full review

“Powerful and vigorous yet sensual and sleek, this samurai-style reinvention of Christopher Marlowe's little performed play achieves the impossible: not only do we agree that all the women make fantastic and brutal warriors, but we wholeheartedly accept and understand the love that grips the king and his male subject enough to erupt in civil war.”
  Lindsey Wilson, TalkinBroadway on
  Edward II
  see full review

“The Queen's Company, an all-female troupe, has mounted a fun and frivolous new production of Shakespeare's mischievous love story...it's a charming evening: the actresses understand Shakespeare's language and adroitly put across his jokes, and the director, Rebecca Patterson, insures that there's a great deal of physical humor.”
  The New Yorker on
   Much Ado About Nothing

“The Queen's Company deserves the following it has established. It is refreshing to see a company willing to take risks and committed to its vision...The company is set to take on Shakespeare's Much Ado About Nothing this fall. Make plans now, as you don’t want to miss any chance to see these amazing women in action.”
  Christopher Byrne, Gay City News on
  The Lucky Chance
  see full review

“The innovative staging includes a spectacular stylized sea battle that times swordplay to an Indian techno beat...the vitality and promise of this Antony and Cleopatra finds hope in its last fleeting glance of a ghost walk in the shadows. The magic of The Queen's Company simply can't be stifled.”
  Jeremiah Kipp, Showbiz Weekly on
  Antony and Cleopatra

“This madly funny production made me laugh so hard I thought I'd crack'd a rib...If I had my way, The Feign'd Courtesans would have moved uptown and run for at least a year...The good news is The Queen's Company will be presenting Antony and Cleopatra, and I wouldn't miss it for the world. Bearded or barefaced, these ladies act up a storm.”
  Terry Teachout, The Washington Post on
   The Feign'd Courtesans

“Quickly becoming one of the most pleasing Off-Broadway troupes infusing much-needed vitality into the classics...The ensemble of women are each remarkable in their own right, each of them comfortable not only with the verse but also the empty stage. The Queen's Company never seem to be striving for their effects – in keeping it elegant and spare, they find truth in simplicity and, more to the point, breathtaking specificity.”
  Jeremiah Kipp, Matinee Magazine on
  The Duchess of Malfi

“It's fundamentally gratifying to see girls take on meaty roles like the Cardinal or Bosola – or the Duchess for that matter – and perform them with such panache and vigor. Makes quite a case for womanish mankind!”
  Alexis Soloski, Time Out New York on
  The Duchess of Malfi

“The entire company is refreshing and enormous fun and a great contribution to New York Theatre”
  John Heilpern, The New York Observer on
  The Rover